Two-notes VB-101 Bedienungsanleitung Seite 24
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Connecting the TORPEDO VB-101
4 Dry recording and re-miking
Here is a particular configuration that makes the most of the TORPEDO VB-101’s great flexibility.
When recording, this particular way of connecting the machine will allow you to rework a given
recording after it has been made. The purpose is to work on the miking when you have sufficient
time to do it perfectly — while mixing with all the other instruments, for example — and to multiply
the tracks with various miking settings if needed.
The reamping techniques (i.e., recording a guitar or bass through a DI and sending that signal
into an amplifier) are already known. What we are going to talk about here is something we call
"re-miking".
This is done in two steps :
1. Dry recording the amplifier (i.e., recording the sound of the amplifier at the speaker output with
the TORPEDO VB-101 but without a speaker simulation);
2. Using the TORPEDO VB-101 as an external processing unit inside a digital or analog loop by using
the AES/EBU or the S/PDIF I/O.
THRU INPUT
8 Ohms 150W RMS
POST SIMULATION PRE SIMULATION
LEFT RIGHT
S/PDIF AES/EBU
IN
IN
OUT
OUT
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOSTURE.
CAUTION
TO REDUCE THE RISK OF FIRE OR ELECTRIC SCHOCK
CAUTION
DO NOT REMOVE COVER.
!
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR.
CAUTION
REPLACE FUSE WITH SAME FUSE TYPE AND RATING
POWER
ALWAYS CONNECT YOUR AMP
OUTPUT TO A SUITABLE LOAD.
DO NOT SET YOUR AMP MASTER
VOLUME TO MAX IN ORDER
TO AVOID POSSIBLE DAMAGES.
NOTICE
SERIAL NUMBER
MADE IN FRANCE
R oH S
2002/95/EC
ANALOG OUPUTS ANALOG INPUT
USB
WORDCLOCK
IN
SYNC
SPEAKER
DIGITAL I/0
OPTIONAL ETHERNET
AUDIO ENGINEERING
IN OUT/THRU
MIDI
2
3
4
5
6
1
USB
WORDCLOCK
SYNC SIGNAL
WordClock
SEQUENCER
+
REMOTE
Audio Interface
AES/EBU/S/PDIF
DIGITAL LOOP
ANALOG
INPUT
Big Amp
O
I
OTHER
DIGITAL
DEVICES
SPEAKER OUTPUT 8 OHMS
150 W RMS max
Output mode L R
Stereo Stereo
Dry/Wet Dry Wet
Wet/Dry Wet Dry
1 Electric guitar or bass 3 TORPEDO VB-101, rear view 5 Audio interface
2 Guitar or bass amplifier 4 DAW with TORPEDO Remote 5 Master clock
4.1 Step one: recording the dry signal
There are several options to get your amplifier’s dry signal with the TORPEDO VB-101:
1. Using the PRE SIM output to get the direct analog signal before the first analog-to-digital stage
of the TORPEDO VB-101
2. Using the ANALOG line Out or AES/EBU-S/PDIF digital Out with a Dry/Wet or Wet/Dry Output
Mode configuration
24 Two Notes Audio Engineering Torpedo VB-101
- TORPEDO VB-101 1
- TORPEDO VB-101 Owner’s Manual 3
- Contents 5
- 8 Technical support 51 7
- Foreword 9
- 2 Declaration of conformity 11
- 3 Contents of the package 11
- 4 Warranty 11
- European Union 12
- 1 What is a loadbox ? 13
- Quick start guide 15
- 4 Only a speaker simulator? 16
- 2 Front panel 16
- 3 Rear panel 16
- 4.1 Tube Stage Output 17
- 5 TORPEDO VB-101 quick start 18
- SPEAKER OUTPUT 8 OHMS 19
- 150W RMS max 19
- Connecting the TORPEDO VB-101 21
- 150 W RMS max 22
- 3 Combined setup 23
- SEQUENCER 24
- AUDIO ENGINEERING 25
- 5 Stay connected 26
- 2 Input gain control 28
- 3 Main control panel 29
- 4.1 Audio 30
- 4.2 Sync 31
- 4.3 Midi 31
- 4.4 System 31
- 4.5 Device ID 31
- 5 PROGRAM 32
- 6 COMPARE 32
- 7 SPKR/MIC 33
- 8 MIKING 34
- 8.2 Center 35
- 8.3 Position 35
- 8.4 Variphi 35
- 9 BYPASS 36
- 10 POST FX 36
- 10.3 Exciter 37
- 10.4 Comp 38
- 10.5 Spatial 38
- 12 TORPEDO Remote 40
- 12.2 .tur files 41
- MIDI Implementation 43
- Specifications 45
- 3 List of Cabinets 46
- 4 Technical data 48
- Technical support 51
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